Im Dae-hee
搜索"Im Dae-hee" ，找到 266部影视作品
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李在恩,林继顺
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九十後女導演李在恩、林智善共同執導，一個喜歡李滄東，另一個卻喜歡園子温。差天共地的電影口味，竟碰撞出如《寒假》般的暑假女生版，跳脫慵懶，活潑厭世，清新搞笑，非常亮眼。三個小鎮高中詩友，畢業後各奔前程，一個去了美國，一個去了首爾，各自追尋詩以外的桃源，留下一個在家鄉，每星期仍堅持視像詩聚，只可惜鏡頭的對面，久未見朋友露面。由十九踏入二十，短短一年卻是人生的分岔口。電影點出階級和城市無形的落差，人與人之間微妙的相遇和相處，總是遊走在隱藏與坦白之間，友情的分岔路上又會是一張怎樣的成績「婊」？
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裴斗理 Duri Bae
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The most important thing for Na-young, who has lived her entire life in a small seaside village, is taking care of her family and friends. However, her mother tries to sell their precious house full of memories, and her younger brother insists on moving to Seoul. While Na-young struggles to accept the changes, she comes across bowling and begins to spend more and more time at the bowling alley.
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JANG Jae-hyun,JO Seung-yeon,PARK Chun-kyu
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内详
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The most cutting-edge genre shorts, which were invited by Sitges International Fantastic Film Festival, won BEST KOREAN SHORT FILM award from Bucheon International Fantastic Film Festival and also won BEST DIRECTOR award from Jeonju international film festival would get together. You can see intensive violence, breathtaking fear, and attractive femme-fatale in this film.
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Yoon Yeo-chang (윤여창)
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Dong-goo, a lowlife thug, has always been living a hopeless miserable life. One day, he accidentally obtains a bankbook with such a large amount of money as much as one billion won. He travels down to Busan in order to try to obtain the PIN number for the bank account. As Dong-goo meets the eight year old boy, Bok-gi (Jo Won-bin), who believes Dong-goo is his dad, and the boy’s mother, Ae-sook (Hong Ah-reum) in Busan, their story begins.
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Ahn Yong-hoon
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美丽的智恩（申铉彬 饰）曾经拥有美好的生活和光明的未来，谁知一场车祸夺去了父母的姓名，而她也因为这场事故无法完成学业，远离了射击比赛冠军的殊荣，甚至落下了结巴的毛病。如今的她在一家工厂打工求生，生活紧紧巴巴。但是命运从来不打算放过她，在某个夜晚，她遭到三名歹徒的轮暴，身心备受摧残。智恩试图报警，然而失德的警察面对这个结巴女孩没有丝毫耐心，反而认定她想诬陷别人讹诈钱财。未过多久，其中一名歹徒拿着智恩丢落的身份证找上门来，并意图再次施暴。悲痛欲绝的智恩开始反抗。 而以此为契机，这个已经跌落尘埃的女孩开始了向这个该死的世界的复仇……
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李泰京 (이태경)
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《惠美李叡采帕》是讲述为了能安定的居住在偏僻的山沟里而奋战的惠美李叡采帕闹哄哄的生活综艺节目。惠利、(G)I-DLE 美延、Leejung、崔叡娜、LE SSERAFIM 金采源、Patricia作为固定成员加入节目。在“从无到全都有”的副标题下，成员们将通过各种任务获得居住所需的用品，填满空荡荡的房子，为观众带来乐趣。该节目确定将于韩国时间3月12日晚7时50分首播。 该节目是引领《惊人的星期六》的李泰京PD转至金泰浩PD制作公司TEO后推出的第一档综艺，将于3月在通过电视剧《奇怪律师禹英雨》进入大势的ENA频道首播。
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이지은
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The 12-year-old Myung-eun can't really comprehend the word “family”. She wishes to keep it a secret because she is so different from what she would like to be. When it comes to writing, on the other hand, she does not allow herself to be restricted by reality. An almost Dostoevsky-like story told in the complexity of human emotions about how to find a place in the world.
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Gonghee LEE
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The memories of the title are the recollections of a young woman’s older sister that killed herself mysteriously. The subtle traces of abstractness that inform the film show signs of experimentation by the film’s rookie director, full of dramatic careers in her middle-50s making her feature debut.
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Sung-hwan Kim
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At first glance, it seems like an ordinary sports movie based on Kendo. Jaewoo, who joins the national team selection process, is treated as a soon-to-be eliminated player from the first day. However, IRON MASK does not simply follow the typical sports movie formula. It sets the tension high early on, by showcasing an intense confrontation between Jaewoo and the unbeatable top-ranked player, Taesu. From there, it gradually reveals why Jaewoo is there, peeling away the layers of his story like an onion. Thus, the film expands beyond being just a sports movie and veers into sharp psychological drama. The sharpness of Jaewoo’s emotions is vividly reflected in his Kendo, while also representing the challenges he must unravel in his life. The ending is quite thought-provoking. The captivating cinematography exudes the excitement of Kendo matches in an electrifying way, making IRON MASK worthy of note. (Rhana JANG) 源自：https://www.bifan.kr/eng/program/program_view.asp?pk_seq=6557&sc_category_seq=6022&sc_num=1&actEvent=view
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Kim Jae-hoon
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For years, detective Jae-hwan has been obsessed with catching Jin-hyuk, the serial killer responsible for the death of his partner and brother-in-law, even if the path to revenge means skipping a few rules. But, when the much-delayed encounter finally comes, things don’t go at all as expected—after a chase and a muddled accident and having been missing for a month, Jae-hwan wakes up handcuffed to a hospital bed, only to discover that he’s trapped in Jin-hyuk’s body and that, in turn, the killer is taking his place alongside his family. But this is only the starting point to a sinuous, extreme narrative filled with surprising twists and tinged the red of blood and neon lights. In his brutal debut, Kim Jae-hoon appropriates the body switch trope in order to give shape to a feast for genre film lovers.
